2020s
John Krasinski’s A Quiet Place Part II fails to live up to the expectations and high standards that the first movie has established.
Kirby Voss’ We All Think We’re Special is an intensely authentic and palpably distressing drama about the pains of addiction.
Directed by Zaida Bergroth, Tove allows the brilliant artist and author behind the Moomins to finally take center stage herself.
A winning teen comedy with star-making performances from its two leads, Plan B has plenty of fun and heart to offer.
Film Inquiry sat down to talk with filmmaker Danielle Lessovitz ahead of the release of her new film, Port Authority.
It mostly delivers on the thrills and kills, providing enough of a jolt of energy to satisfy genre fans.
Cruella is a welcome return to the good, dark, bold filmmaking that we haven’t seen in a long time from Disney.
Lisey’s Story is a miniseries of magic, both in what it explores universally, but also what it generates internally.
Mohammad Rasoulof’s There is No Evil is an excellent and riveting drama with a few divets holding it from perfection.
Paul Negoescu’s Two Lottery has a funny enough premise with a cast that knows how to play to one another’s strengths.
Fans of Snyder will undoubtedly find value in it, with moments where the director is allowed to play to his strengths, but they’re far and few between.
The potential with this was promising, and yet they couldn’t quite make it work.
There are some fine performances and strong scenes here and there but the editing darts between so many stories that it’s just begging for a fan cut.
The Underground Railroad is so much different than anything Jenkins has ever worked on before; it’s grander and more ambitious, it plays with magical realism to a brilliant result
John Calucci and Brandon LaGanke’s 2020 comedy Drunk Bus is unconventional, funny, and poignant from start to finish.