2020s
Physical never loses sight of what it does best: exploring Sheila’s inner journey in a way that is both entertaining and compelling.
In the Heights follows a small corner of individuals as they face gentrification, immigration, and acceptance of self during the summer’s hottest days.
In Pray Away, viewers are led into the minds of those who founded, lead, and propagated one of the biggest conversion therapy developers.
Framed has just the right amount of suspense, drama, and romance to make it work, with a wonderfully written dialogue.
In the documentary, The Sound of Identity, Lucia Lucas is the first transgender woman to headline a major opera production
While Accepted examines the rise and fall of TM Landry, it’s also a multilayered look of the environment children are thrust into.
Film Inquiry sat down with director Dana Ziyasheva to discuss her new film, Greatland, and making a film in a post-pandemic world.
Ryan Reynolds, Samuel L. Jackson, and Salma Hayek return in the crime-comedy, The Hitman’s Wife’s Bodyguard.
Referencing and reminiscent of horror films that have come before, See for Me does not live up to its inspirations.
Starring the remarkable young actor Émilie Bierre, Les Nôtres reminds us that the darkest and most deeply hidden of our secrets will always find a way out.
In Demon Slayer: Mugen Train, can Tanjiro & Co. find the the demon responsible for strange disappearances on the Mugen train?
For its high-concept presentation, The Wanting Mare is not a very demanding picture but more of an invitation to a unique passion.
The Dose is a subtly taut psychological thriller from Martin Kraut, detailing the ethics of euthanasia through male rivalry.
A collection of six short films by Black directors, Our Right to Gaze challenges what has been pervasive since the inception of Hollywood: the “White Gaze.”
The Conjuring: The Devil Made Me Do It is a different breed of horror, but is still just as beautiful and engaging.