2020s
With excellent performances, gentle direction, and an incredibly moving musical score by Alexis Grapsas and Philip Klein, Pig was a big surprise.
Fear Street Part One: 1994 is a fun, energetic slasher with enjoyable characters, an interesting overarching plot, and heartfelt relationships.
In Borderlands, six lives have been woven together seamlessly to symbolize the continuum of life and inseparability of human agency.
For the release of her new film, Holler, Film Inquiry sat down to speak with writer and director Nicole Riegel.
With No Sudden Move, Steven Soderbergh has crafted a fun and twisty neo-noir that makes the best of its ensemble cast.
When it comes to shark-themed suspense films, it’s safe to say Great White won’t be joining the greats.
Even if it had come out on time, the halfhearted critique it offers up is neither challenging nor engaging.
Long Story Short is a pleasing romantic comedy with charming performances and a modern screwball tone.
As the first Marvel movie to be released after Avengers: Endgame, Cate Shortland’s Black Widow stars Scarlett Johansson as Natasha Romanoff.
It’s far from perfect but Zola delivers strong performances, visual language and sound design to make something unique and alluring.
Identifying Features takes time to get going but successfully wagers the audience’s patience with a terrifying finale that lingers long after the credits.
Let Us In attempts to recreate the feel of classic horror properties for children, only the results are not creepy, interesting, or original.
F9 keeps to what the series does best: absurdly fun action and time spent with a family you root for, but it’s not the smoothest ride of the series.
As a portrait of one of the higher-profile fights to close the gender pay gap, it gets the job done with gusto.
In Lance Oppenheim’s playful and otherworldly documentary, we get a peculiar glimpse of the lives of people seeking to escape into something utopian.