2020s
Even if it had come out on time, the halfhearted critique it offers up is neither challenging nor engaging.
Long Story Short is a pleasing romantic comedy with charming performances and a modern screwball tone.
As the first Marvel movie to be released after Avengers: Endgame, Cate Shortland’s Black Widow stars Scarlett Johansson as Natasha Romanoff.
It’s far from perfect but Zola delivers strong performances, visual language and sound design to make something unique and alluring.
Identifying Features takes time to get going but successfully wagers the audience’s patience with a terrifying finale that lingers long after the credits.
Let Us In attempts to recreate the feel of classic horror properties for children, only the results are not creepy, interesting, or original.
F9 keeps to what the series does best: absurdly fun action and time spent with a family you root for, but it’s not the smoothest ride of the series.
As a portrait of one of the higher-profile fights to close the gender pay gap, it gets the job done with gusto.
In Lance Oppenheim’s playful and otherworldly documentary, we get a peculiar glimpse of the lives of people seeking to escape into something utopian.
Physical never loses sight of what it does best: exploring Sheila’s inner journey in a way that is both entertaining and compelling.
In the Heights follows a small corner of individuals as they face gentrification, immigration, and acceptance of self during the summer’s hottest days.
In Pray Away, viewers are led into the minds of those who founded, lead, and propagated one of the biggest conversion therapy developers.
Framed has just the right amount of suspense, drama, and romance to make it work, with a wonderfully written dialogue.
In the documentary, The Sound of Identity, Lucia Lucas is the first transgender woman to headline a major opera production
While Accepted examines the rise and fall of TM Landry, it’s also a multilayered look of the environment children are thrust into.