2020s
The Night House is a kaleidoscope of creaks and whispers, playing with anticipation and stretching it as far as it can go.
From stunning performances all around, Coda is perfection from start to finish, keeping audiences engaged through humor, heart and genuine craftsmanship.
In its entirety, Mogul Mowgli is a cinematic experience that will resonate with the heart and enlighten the mind.
The Suicide Squad is a magnificent blend of gore, heart, and humor that engages its audience instantly with strong performances, and breathtaking visuals.
Haunting, strange, and engrossing, What Josiah Saw works in perpetuating perceivable dread.
Homeroom is empowering and it is inspiring, bringing a fresh perspective to the events of 2020 and to the future.
The film flounders in its overly long crawl but makes up for it in a repulsive final twist.
While it is less gory, especially in the film’s conclusion, it leaves a twist and an ending that speaks to the possibility of more films to come.
Not everyone will be won over by the weirdness of Annette, but for those who are, they will absolutely love it.
Under the Volcano chronicles the life of “Fifth Beatle” Sir George Martin’s secret recording studio in the Caribbean.
Naked Singularity tries to connect the legal and sci-fi elements of its story but ends up not quite capturing either aspect of the film.
New York Asian Film Festival 2021 Part One: ESCAPE FROM MOGADISHU, NINJA GIRL and BARBARIAN INVASION
In her first report from the New York Asian Film Festival, Lee Jutton reviews Escape from Mogadishu, Ninja Girl and Barbarian Invasion.
The Green Knight is an immersive, beautifully photographed if sometimes frustratingly structured fantasy adaptation.
Ryan Andrew Hooper’s The Toll is a Welsh Western that takes its cues from Clint Eastwood’s Unforgiven and flips them on their head.
Ghost ultimately haunts the viewer with tight dialogue, brave character development, and powerful storytelling.