2020s
Listening to Kenny G is an examination of what art is or should be, and details it through the lens of an artist who is not given the credit he deserves.
Everybody’s Talking About Jamie is one of the better film adaptations of a stage musical.
With Kristy Strouse’s next report she covers Silent Land, Encounter and Dug Dug!
The Card Counter, the latest film from writer/director Paul Schrader, is very much a companion piece to his earlier, existentialist efforts.
Kristy Strouse shares her first report with three films from Toronto International Film Festival, all female and directorial debuts.
In the latest report from TIFF 2021, Wilson Kwong looks at solid examples of creative storytelling with All My Puny Sorrows and Kicking Blood.
Sion Sono’s English-language debut stars Nicholas Cage as a criminal forced to track down the granddaughter of an Old West-meets-Mad Max warlord.
Despite a rather disappointing third act, Last Night in Soho still manages to be an engaging cinematic experience thanks to its impressive technical and performative entities.
A bloodbath cleverly executed through its gore, narrative and technical execution, Malignant is the horror film of the year, one that promises a terrifying and demented edge-of-your-seat experience from start to finish.
The Wheel, Steve Pink’s latest directorial venture, sees him zeroing in on a young couple and their messy, crumbling marriage.
Céline Sciamma’s Petite Maman follows a young girl exploring her mother’s childhood home and finding another girl in the surrounding woods.
Alex Arabian spoke with Mark Duplass and Natalie Morales about their film Language Lessons, its inception, Room 104 and more!
The debut feature from Swiss filmmaker Andreas Fontana, Azor is a sophisticated and sinister thriller suffused with a lasting feeling of unease.
It Takes Three is an interesting update to the classic teen romantic comedy that finds its strength by diving deep inside every character.
Rafaela Sales Ross’ coverage of the 2021 Venice Film Festival commences with a look at Harry Wootliff’s True Things.