2020s
In Front of Your Face and Introduction serve as a satisfying reminder that one of world cinema’s most consistent filmmakers is still thriving.
The Many Saints of Newark, a prequel film to The Sopranos, never quite reaches the heights of its television show predecessor.
Elevated by excellent performances, minimalist interpretation of the visuals, and sound design that is larger than life, The Tragedy of Macbeth soars.
Paul Verhoeven’s latest film Benedetta, based on the infamous 17th century, has the Catholic Church up in arms as it delivers the satire.
You’ll definitely laugh, and you might cry, too; whatever the case may be, you’re guaranteed to be moved by Trier’s empathetic storytelling.
Nitram is a potboiling study of human fragility that doesn’t heal our scars so much as it asks us to accept that they are here to stay.
Mia Hansen-Løve’s Bergman Island features emotionally intelligent filmmaking and a lovely central performance from Vicky Krieps.
As part of TIFF 2021, we took a look at The Power of the Dog, Benediction, After Blue, and Compartment No. 6.
Scarborough follows the lives of three families and expands on their struggles and triumphs as they navigate through adversity.
Jonas Poher Rasmussen’s Flee uses animation as a form of therapy for both its central subject and the audience.
As it is, Cry Macho is the type of story that Eastwood has both told and portrayed better in the past.
In The King of Laughter, Toni Servillo portrays iconic Italian actor and playwright Eduardo Scarpetta…
Just like the movie-within-a-movie style Hansen-Løve uses to tell the story, her latest film is a layered, intelligent work full of reflection about art, life, and relationships.
Film Inquiry sat down with Blaine Thurier and Alanna Bale sat down to their latest film, Kicking Blood, as part of TIFF 2021.
Ari Folman’s latest Where Is Anne Frank is a kaleidoscope of beautiful visuals and good intentions, even if some of them don’t exactly land.