2020s
I Know What You Did Last Summer is the engaging and horrifying teenage horror drama of the season.
Never afraid of a little blood, The Retaliators dives head first into the gore, making its violence cringeworthy in all the best ways.
Film Inquiry is back with 6 more film reviews from days 6-8 of the 2021 London International Film Festival.
The Last Duel is a comfortable return to the medieval genre with tense battle sequences and an urgent takedown of a misogynistic system.
In their latest report from BFI London Film Festival, Paddy Wilson and Faisal Al-Jadir review A Hero, Hinterland, True Things, Two Friends and more!
Despite the occasional meandering of the script, much of the film feels like an honest search for peace and a sense of balance in life.
In the first report from the 2021 Heartland International Film Festival, Emily Wheeler covers four films: Spencer, Ninjababy, Faceless & Being Bebe.
Despite some improvements over the previous film, The Addams Family 2 still feels stuck in the first gear of safe animated adaptations.
With a breezy 85-minute runtime, there is always enjoyment to be found with such an impressive cast.
No Time To Die is an absolute triumph, not just as a thrilling conclusion to Daniel Craig’s era of Bond, but as one of the best in the series.
The Harder They Fall is a confident and engaging debut, staying just on the right side of story versus style with the entertaining tale of revenge.
While the first episode is a chaotic menagerie of characters, Dopesick’s subsequent episodes begin to find their footing, delivering intrigue.
Edited from decades of footage that were self-shot by Kilmer himself, Val is an extraordinary piece of filmmaking.
The Velvet Underground wields the hands of time, recapturing and evolving into a time capsule of art within a new wave style of documentary.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.