2020s
The Becomers politely reminds us that being a human is fundamentally weird–– and yes, being a human in 2020 was especially weird.
If “Kraven the Hunter” can balance its identity and its obligations to the superhero genre, this film could find a spot in Marvel’s superhero box set.
Saturday Night is the story of young producer Lorne Michaels trying desperately to keep his new live TV show on the rails, 90 minutes to the premiere.
In “Rebel Ridge,” a young Black marine attempts to rescue his cousin from a corrupt small-town police department.
Ever as before, once “Romulus” gets underway, they encounter Facehuggers, Xenomorphs, and their mission devolves into a fight for survival.
His Three Daughters follows three estranged sisters as they converge in a New York apartment to care for their ailing father.
Writer-director Aviv Rubenstien’s new horror film, “Lizzie Lazarus,” premiered at the 10th annual Popcorn Frights Film Festival in 2024.
Inside Out 2 introduces a bunch of new emotions, but the only one I felt…
“Greedy People” follows two bumbling cops who accidentally murder a rich civilian, finding themselves in the crosshairs of foes that wanted to do so first.
“Young Woman and the Sea” proves it could be a serviceable movie but not strong enough to escape the routine assembly of the genre’s trappings.
Following the events of “The Batman,” Oswald “Oz” Cobblepot is a gangster aiming to rise to the top of the criminal underworld in “The Penguin.”
‘One For the Road’ is swift, surprising, and leaves you hungry for more, validating the phrase “no good deed goes unpunished.”
Michael Chang was a pioneer among Asian Americans in professional sports, and he did it at such a young age.
She Came Back is a well-crafted horror film that leverages powerhouse performances and exceptional storytelling to create a memorable experience.
Trap is a movie seemingly gift-wrapped for greatness that eventually crumbles under its own logic.