2020s
In its final episodes, I Know What You Did Last Summer is able to reestablish the firm commitment it has promised at the series’ beginning.
I’ve always wondered why Black Friday had not been explored in a horror film. Director…
Dopesick is rapidly reaching its conclusion, “Black Box Warning” not only began to deliver the final punches, but began to bring closure to some.
Between its seemingly inconsistent mythology and a confusing timeline, Double Walker forces the audience to work harder to appreciate its strengths.
While it doesn’t dig as deep as one may hope, Becoming Cousteau is an honest yet engrossing portrait of one of the most iconic explorers.
New York Ninja feels destined to become a cult classic, the kind of film playing in the background at raucous house parties and neighborhood dive bars.
Spencer is fictitious, yet grounded in reality, a prolific examination of mental health through isolation and suffocation of tradition and restraint.
Out of the countless productions of The Scottish Play that exist, Coen definitely brings something new to the table.
Christmas on the Carousel is an entertaining Christmas romantic drama with strong performances.
When it comes down to it, perhaps The Harder They Fall just attempts to do too much, and doesn’t quite have the necessary balance and patience.
The years are drawing closer and closer as Hulu’s Dopesick brings viewers one episode closer to the court case it has been building too.
The episode delivers its most brutal and graphic kill to date, coupled with a further dive into horror classics with a House of Wax feel.
While the purpose of What If? may be to prime the fanbase for multiverse madness, its secondary function is one of image and branding.
What we get feels like a mixture of both fact and dramatization, which while ceaselessly fascinating, feels slightly unsatisfying.
An old monk recieves news of his aunt passing away, causing him to reflect on his life and his beliefs in Manav Kaul’s Tathagat.