2020s
Adam McKay has crafted a harsh examination of our treatment and lack of action of the environment we live in, one that is sure to push the conversation.
With its more intimate scope, flawed or not, the documentary attempts to understand Brian Wilson.
Thus far, Marvel and Disney’s Hawkeye is proving to be an entertaining romp that doesn’t feel as bound by the MCU timeline.
The Hating Game may not be the perfect rom-com, but it entertains like classics of the past, delivering on what it promises and perfect for rewatches.
An elegy not just for the human race but for the great artist that brought it to the screen, Last and First Men is a striking meditation on mortality.
While Dumont’s France seems more interested in piling dramatic events on top of dramatic events, Seydoux is never less than masterful.
The Power of the Dog is a haunting, powerful character study by Jane Campion, amongst the best films of the year.
The new animated Diary of a Wimpy Kid tells a familiar story and executes it on an arguably bare minimum.
Ridley Scott’s House of Gucci is a biographical crime-drama about the woman who put a hit out on her ex-husband, Maurizio Gucci.
In the vein of Citizen Kane, the documentary sets out on the foolhardy task of finding Dean Martin’s Rosebud: the puzzle piece to unlock what made him tick.
From the very first frame, Netflix’s live action Cowboy Bebop takes its shot at Shinichirō Watanabe’s classic anime and misses.
Patrick Ridremont’s The Advent Calendar is a holiday horror film about a woman given the opportunity to walk again, but at what price?
Daryl MacDonald spoke with director Aneil Karia about his film The Long Goodbye, the Oscars, to his latest film Surge, and more!
With the finale, it seemed the pieces had lined up for a swift blow of justice, though as viewers will learn, it is never as easy as it seems.
With Bad Luck Banging or Loony Porn, director Radu Jude seeks to expose the hypocrisy inherent in those who find sex obscene.