2020s
Yellowjackets is your new favorite show, or it will be once you sit down and watch it.
Scream is a knock-out success, showcasing the power horror inductions can still wield through modernization and an honoring of the past.
While filled with gorgeous shots of the desert landscape, Borrego fails to engage its audience.
Allow yourself to be transported by the sights and sounds of The Shepherdess and the Seven Songs and be rewarded with a powerful cinematic experience.
Made pre-COVID, Iuli Gerbase’s The Pink Cloud is about two people forced into lockdown together when a toxic pink cloud envelopes the world.
With a deep dive into the varied world of AI, A.rtificial I.mmortality isn’t a bad film, but it’s one that suffers from a lack of focus and depth.
To celebrate the end of a great cinematic year, our writers have compiled their top ten lists of the films of 2021.
With A Hero, filmmaker Asghar Farhadi returns once again to the themes of societal strife that have run through his previous films.
The Matrix Resurrections is a curious and fascinating sequel, one which is completely aware of its own existence but also confused about why it exists.
Nightmare Alley is a tense thriller that will be sure to please audiences if they can get past the film’s length, but it still had potential to be more.
This year, over a dozen films, sidestepped color in favor of black and white and many are vying for major awards this season.
Bursting with much of the iconic lore and characters as well as being the most meaningful of Peter Parker stories, Spider-Man: No Way Home delivers.
While the movie itself is not without its bumps , there is always a new adventure, a new gag, a new moment of blissful sweetness just around the corner.
New Year is an exemplary artistic showcase of the power of dialogue and performance, wrapped in a tightly constructed celluloid of truth.
Combined with Vaughn’s ability, there’s a genuine surprise to this entry that may make this the best of the series.