2020s
Poly Styrene: I Am A Clichè keeps her legacy alive, while also recognizing that behind the iconic music and photos she was a real, flawed woman.
In his final report from Sundance Film Festival, Wilson Kwong reviews Happening and Girl Picture.
Last Survivors may fade to the recesses of your mind, but for a moment it may make you reevaluate your own idea of survival.
In her last report Kristy Strouse reviews You Won’t Be Alone, Something in the Dirt, Palm Trees & Power Lines and Hatching!
Kogonada’s science fiction drama set in a world of robotic children stars Colin Farrell, Jodie Turner-Smith, and Justin H. Min.
Whether it’s science fiction or simply a sensational real-life story, who doesn’t enjoy an inventive…
With God’s Country, director Julian Higgins takes an introspective dive into the underbelly of humanity’s darker instincts.
While crafts a uniquely haunting atmosphere, The Laureate focuses too much on its plot and not enough on the unique personalities of its characters.
With strong performances and technically sound decisions, A Banquet is let down by the immense wealth of perspectives it attempts to harness.
Coupled with strong performances and talent behind the camera, All of Us Are Dead is a binge-worthy venture.
Free Chol Soo Lee tackles many subjects, but the way that it puts Chol Soo’s story and his tragedies front and center is exceedingly effective.
Tiktok, Boom looks at the general landscape of social media. Shalini Kantayya’s documentary explores widely but rarely dives too deep.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.
And while nothing expressed here is groundbreaking, Futura is nonetheless a perfect, thoughtful time capsule of the age we’re currently in.
While not perfect and often lacking the emotional punch one might expect, ED Perkins’ uniquely minimalistic approach makes it an interesting experience.