2020s
Even if you don’t remember Greece’s triumph at Euro 2004, you’re guaranteed to be moved by King Otto.
Good editing or not, Corwin’s impressive, ambitious work in Don’t Look Up is at least highly expressionistic and motivated.
While the focus and ingenuity lessen as the underdog formula takes priority, the talented cast and their chemistry vitalize the absurdity.
With artistic interpretation, it finds the perfect balance of suspense, intrigue, and cliffhangers to make you want to come back for more.
A harrowing true story is rendered inert by the light touch on its most interesting aspects in The Infinite Storm.
The early Sundance praise is real. Fire of Love oozes passion and love from start to finish.
The Sacred Spirit hooks you with its moody, deceptively elusive presentation brilliantly structured with a tactful eye for detail.
My First Native American Boyfriend is a chance to provide Native audiences a form of catharsis, a chance to have their real-world experiences represented.
Stringing together multiple sources and influences, it is a spellbinding dance between Kashmir’s folkloric past and its tumultuous present.
In the latest report from SXSW 2022, Kevin L. Lee reviews two supernatural features: Jethica and The Cellar!
Belfast is a film that will creep into the recesses of your mind, its upbeat music and deeply rooted examination of family and the journey unforgettable.
The Dropout delivers its deepest sense of grief and morality in the face of scandal within “Flower of Life”, giving the chance to fulfill Ian’s story.
I Love My Dad is saddled with a competent, well-intentioned film that works better when being discussed than being watched.
The best thing about Adrian Lyne’s Deep Water is that it possesses star power in Ben Affleck and Ana de Armas, two of our hottest actors.
I Am Here is not a perfect film, but it accomplishes what it sets out to do, which is to allow the world to honor Ella Blumenthal and share her story.