2020s
Lightyear may not offer the same emotional depth or richness as other Pixar titles, but it knows it never needed to be that.
Despite its humorous undertones, Christos Nikou’s Apples can’t overcome a frustratingly muted and opaque style.
In Sophie Hyde’s Good Luck To You, Leo Grande, the stigma surrounding sexuality and age are examined and pushed.
Irene Taylor’s documentary Leave No Trace looks at the dark side of the Boy Scouts of America, which allowed the abuse of countless boys.
Cynthia Lowen’s Battleground dives into the realities of an America at war with women’s reproductive rights.
In her first report from Tribeca Film Festival 2022, Kristy Strouse reviews Family Dinner, Huesera & A Wounded Fawn!
Ray Ramano makes his directorial debut with Somewhere In Queens, a comedy-drama about an Italian-American family.
Goodbye, Petruska navigates the turbulent experience of challenging reality with ambition to deliver something one can be truly proud of.
Del Kathryn Barton’s Blaze brings intense drama to the 2022 Tribeca Film Festival, as a young girl named Blaze deals with immense trauma.
The final installment of the World trilogy, Jurassic Park Dominion breaks through with more dinosaurs and a mixed bag for audiences.
The Bad Guys is a good time for its slick style, solid characters, and stealing from the best heist films.
This entry has longer than usual episodes, making this part a deft delivery of the finality of what has been a real significant part of TV life and culture.
With two fascinating lead performances, wonderful music, and Logan Floyd’s hypnotic cinematography, there’s a lot about Poser that is worth checking out.
In Crimes of the Future, the horrors and beauty of the human anatomy, both inside and out, are a work of grotesque art and performance.
Keeping Company weaves a critical look at society, greed-fueled power and consequence of capitalism while crafting a film that delivers humor and horror.