2020s
The strength lies in the movie’s ability to make the most with a small budget, but it cannot mask the shortcomings of an uncompelling story.
Rogue Agent isn’t your average spy movie—mostly because the central character is not your average spy.
Fall also builds on its characters, taking the idea of trust, love, redemption, and the will to survive to new heights.
In exploring how memory and creation are irrevocably entwined, Le Temps Perdu is an ideal tribute to Proust’s masterpiece and the readers who love it.
Super-Pets flies high for an animated film aimed at the smaller crowd, making a strong superhero picture for the whole family.
Noé’s split-screen theatrics allows for double the amount of decision-making, double the choreography, and the narrative trickery in Lux Æterna & Vortex.
If you’re looking for an escape from our current reality, then Emergency Declaration is probably not the summer blockbuster for you.
Full Time is a panic-fuelled portrait of human resilience that’s crafted with both urgency and grace, examining the self-sacrificial nature of parenting.
John Mathis’ Where’s Rose is more concerned about real-life horrors than it is with fantastical ones, and it is all the better for it.
A performance-driven movie packed with quietly devastating moments, Resurrection should not be overlooked among the great horror films of this year.
The worlds of animation and live-action collide in the eclectic tapestries of Chloé Mazlo’s Skies of Lebanon.
Like in social media, everything in Not Okay is a hollow passing glance as the movie keeps scrolling and clicking along.
Lee Jutton is back with her last report from this year’s New York Asian Film Festival!
Flux Gourmet is a movie wholly dependent on making sound editing and cinematography do all the work and they can’t quite get there.
The Day the Music Died: The Story of Don McLean’s American Pie goes into the mythology around the song that runs deep and wide, resonating with so many.