2020s
Thriving upon Amalric’s sophisticated storytelling and Krieps’ propulsive performance, Hold Me Tight may be too formally ambitious for some.
In our first report from the Melbourne Film Festival, Sean Fallon reviews Saloum, Dual, Shadow, The Integrity of Joseph Chambers and The Pez Outlaw!
Luca Guadagnino’s Bones and All is a monumental statement on the beautiful powers of love bolstered by great performances.
From Venice FF, Princess and Banu are feature film efforts with strong female protagonists, both of whom are fighting very different battles in life.
It’s hard not to muse over whether any other performer this year can top what Cate Blanchett does in Todd Field’s Tár.
It’s hard to imagine Noah Baumbach making a film about an apocalypse, yet this enigma-raveled concept perfectly encapsulates White Noise.
Purple Hearts stands as a viable romance venture that is sure to pull at your heartstrings while delivering a platform of conversation for modern struggles.
Look Both Ways was a pleasant surprise. And while its final messaging is predictable, it does not miss on its delivery.
Mukdeeprom and Howard make Thirteen Lives an entertaining and emotional translation of a major news event that captured the world.
Leigh Bloomfield’s 2022 Extinction Rebellion documentary, Conscientious Protectors, isn’t as radical as its subject matter.
One can applaud the ambition and imagination in creating such a unique, complex fantasy world while also wishing it was just a little bit less packed.
If you’re a fan of raunchy comedies, many of which have been cited as an inspiration for this one, book a date with Movers Ultimate today.
The comedy and performances are really what set Glorious up to maintain its rather flimsy horror premise.
The strength lies in the movie’s ability to make the most with a small budget, but it cannot mask the shortcomings of an uncompelling story.
Rogue Agent isn’t your average spy movie—mostly because the central character is not your average spy.