2020s
Paul Schrader is a master storyteller, but with Master Gardener, even masters are capable of misfires.
In our first report from the 2022 Heartland International FilmFestival we give you a taste of the festival!
From NYFF, Lee Jutton reviews A Couple and Showing Up, the latest films from Frederick Wiseman and Kelly Reichardt.
From pensive and meditative to egotistically powerful, Todd Field’s Tár is a film for the senses.
Femme Filmmakers Festival 2022 is in its seventh year, run by Filmotomy and partnering with MUBI, In Their Own League, and InSession Film.
Marie Kreutzer’s new cinematic depiction of the life of the Empress, Corsage, is a punk rock rebel yell: angry, energetic, and intensely enjoyable.
While it doesn’t reinvent the wheel, To Leslie is anchored by an incredible performance from Andrea Riseborough and confident direction of Michael Morris.
All That Breathes captures the noble effort to save the Black Kites, transforming from a humanitarian venture to a broad-scale look.
Rob Zombie’s The Munsters is endearing, and even if you never grew up on the series, the film retains a ghoulishly wholesome energy.
Director David Bruckner blends the bombast of Hellraiser into today’s horror mode of choice for Hulu’s 2022 reboot of the franchise.
At times a deeply moving portrait of our treatment of animals, while other times a sense of existential realism, EO proves itself to be full of heart.
With an awareness of its own ideas on self preservation and survival, Piggy excels.
Sick of Myself is a deranged and delightfully cynical work of art that proves attention-seeking for the sake of fame always comes at a much higher cost.
For Sidney Poitier novices and acolytes alike, I think there’s much to be appreciated about this timely homage
Blonde has and will continue to infuriate audiences, yet is a film that can be studied for not only the continued dominating male gaze, but for the need of women to tell women’s stories.