2020s
Unwelcome works as a decent horror film in general, but with St. Patrick’s Day just around the corner, it takes on a new vibrancy of success.
Rebroken has really good first and second acts, but somewhere along the way it loses its confidence.
Tender and imaginative, The Pod Generation is elevated by strong performances, humor, and unique world-building.
La Civil is ultimately an uneven crime thriller carried by an exceptional actress, but its subject matter is so important that one can overlook.
My Sailor, My Love is not quite a romance, but rather a slow examination of the wounds we inflict on each other and the difficulties of moving past wounds.
Film Inquiry spoke with writer/director Colin West for his film Linoleum!
From the maddeningly slow pace, amateurish performances, and undercooked screenplay, The Long Dark Trail fails to do anything it set out to accomplish.
While it had the potential to be something more, as it was, Wolf Garden tried to do too many things and never found a solid identity.
Film, the Living Record of Our Memory shines a spotlight on these individuals and serves to rally for the importance of film archiving and preservation.
We take a look at Sundance documentaries Kokomo City and Against the Tide!
Cocaine Bear is funny, and full of plenty of laughs, shocks, and gore in its short runtime.
Amanda Jane Stern is the writer, producer, and star of “Perfectly Good Moment,” an erotic thriller co-starring Stephen Carlile.
She Came from the Woods takes the horror genre and turns it a bit sideways, combining nearly every trope we got in the 80’s into one film.
Juniper is a beautifully filmed and excellently acted drama about the pursuit of repairing familial relations and learning to accept the inevitable.
A Radiant Girl is a film where horrors hover on the edge of every frame, out of sight but never truly out of mind.