2020s
When you go to see an Evil Dead movie you kind of have an idea of what you’re in for, and we get that, but Evil Dead Rise also gave us so much more.
A sprawling tale that crosses multiple genres, Trenque Lauquen is at its heart about a woman trying to find herself.
As much as these influences run through the core of the film, To Catch a Killer becomes a crime thriller all its own.
Inside was one of those rare gems that I never expect to come across but when I do I like to scream about it from the rooftops.
In its entirety, Andy Somebody is a raunchy, quirky fun time.
While the film may be what you expect, if you’re a fan of horror or Russell Crowe, or better still a fan of both, this movie is a must see.
Inventive and enchanting, once Wittman’s Human Flowers of Flesh takes hold it becomes clear what the film is.
“Renfield” manages to find fun in its vampire premise and sink its fangs deep enough to appreciate a Nicolas Cage Dracula picture.
Although it fits squarely into his oeuvre following another plucky heroine coming of age in Japan, it has some very meaningful inspiration.
Fans of Murakami’s inimitable style will be pleasantly amazed at how well Blind Willow, Sleeping Woman brings his magical world to life.
Directed by Lucas Delangle and shot by Mathieu Gaudet, “Jacky Caillou” is a French indie gem that is well worth your time.
“Leonor Will Never Die,” from director Martika Ramirez Escobar, is a movie pure in heart even when it falters.
Hail Mary is full of twists and turns, and although it doesn’t really keep you guessing, it does make sure you stick around to its end.
On this Inquiring Minds, we take a look at Monolith & The Cow Who Sang A Song Into The Future!
Film Inquiry spoke with Daniel Goldhaber, one of the most exciting filmmakers to be working in cinema recently!