2020s
Claude Schmitz’s The Other Laurens may not be the most intense thriller at times, its slow-burn mystery will prove itself alluring and transfixing.
While the lack of resolution is disappointing for the audience it doesn’t make The Night of the 12th any less powerful.
Breaking Infinity is an engaging, time-travel mystery that drops the viewer into the plot and keeps the intrigue flowing.
Dazzling and wondrous, The Little Mermaid makes a solid transition to become a part of Disney’s live-action world of remakes.
There are many reads you could take from Vincent Must Die and how its theme speaks to you will be your own experience.
Despite well choreographed action and a gritty performance from Jennifer Lopez, The Mother is not the Mother’s Day vehicle Netflix had hoped it would be.
Marco Porsia excavates something special with the subject of his latest rock inspired documentary, What You Could Not Visualize.
Beyond the North Woods offers hope for local, micro budget filmmaking to reinvigorate even the most familiar of premises, turning content back into art.
Giving Birth to a Butterfly is a story about the ties that bind us, to each other as well as to reality itself.
If you aren’t already disenchanted with capitalism and the way it sucks people dry, then Unrest is here to help.
Goodnight Mommy is a decent horror vehicle, designed to entertain but lacking the stamina and direction to terrify.
The Plains, in its supposed mundanity and ritual, gives us the gift of time to really take in the cinematic image.
Ray Romano’s directorial debut Somewhere in Queens is a heartfelt story about family and going too far to protect those we love.
If “Still: A Michael J. Fox Movie” shows us anything, it’s the extinguishable spirit that has kept Michael J. Fox going for decades.