2020s
Common Ground is deeply impactful, becoming the vital eye opening documentary it needs to be.
Making a good double feature, Payton McCarty-Simas reviews He Went That Way and Dead Girls Dancing!
Despite being better than previous entries, it still has some rust that holds it back from being anything more than an average summer blockbuster.
From Tribeca Film Festival Payton McCarty-Simas pairs two films, one an ode to midnight movies past, with another paean to movie obsessives.
There’s lots of potential in Taylor Mac’s 24-Decade History of Popular Music, but only Taylor Mac fully lives up to it.
With the buzz surrounding the hype of the upcoming Oppenheimer, the lackluster representation of Richland weighs heavy.
If you like the stories of Stephen King or you just like to be scared, this is something you should really be checking out.
What results is an engrossing, often painful, always warm portrait of the challenges of wanting to make art in a world hostile to the prospect.
The End of Sex blends sex comedy with a more traditional romcom, which sometimes works but the humor doesn’t always land.
Bad Things struggles with its interactions, yet excels in its horror.
From anger to frustration to tears, Take Care of Maya delivers a deeply affecting look at the breakdown of a family when another says its broken.
Donnie Yen might not be King Hu behind the camera, but he’s still a joy to watch in front of it — even in a weaker wuxia like Sakra.
With Catching Dust, Stuart Gatt crafts a narrative tale around the explosive power of human emotion.
The spell Playland casts over its subject matter, an act of poetic reanimation, carries over to its viewers.
This is Not Financial Advice achieves its overall goal, without explicitly telling audiences the right or wrong way to embark on the financial market.