2020s
The Last Voyage of the Demeter turns in a light Dracula voyage too bound by its stock itinerary to sail into more adventurous waters.
Madeleine Collins proves that Virginie Efira belongs to that elite tier of actresses capable of elevating even the most mediocre material.
King On Screen is one hell of a trip down Stephen King cinema memory lane.
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
Sweet if innocuous entertainment, Love in Taipei is pleasant but predictable.
If you liked Jaws 2 (or Sharknado 2, Deep Blue Sea 2, Open Water 2, Ouija Shark 2, etc. etc), this bad Shark Sequel has everything you need.
The Mire was a fantastic, tense ride that doesn’t rely on action set-pieces or flashy effects to draw your attention.
Mutant Mayhem gives the Ninja Turtles a fresh coat of paint as a welcoming revision with unique animation and compelling characters.
Past Lives is the epitome of contemplative, meditative cinema. It’s perplexing, but in the way I like my movies to be.
Lofty in ambition yet flawed in realization, LOLA is nonetheless an intriguing cautionary tale experiment in lo-fi science-fiction.
A quiet, poignant, and moving documentary, The Deepest Breath is unforgettable.
The Venture Bros. has always felt cinematic with its big sequences and Radiant Is the Blood of the Baboon’s Heart ups the ante.
Perfectly Good Moment is a difficult-to-watch and captivating thriller.
For better or for worse, Haunted Mansion makes for a fun spooky night on Disney+ for the family.
The 3-part series highlights her ambitious career in front of the camera and behind.