2020s
I’ll Be Right There showcases family drama and how, within that drama, there can be something to laugh and feel good about.
The “time loop” is a sci-fi cliché as old as the genre itself, but “Omni Loop” tries to put a new spin on the genre.
Nostalgia aside, Álvarez also has a knack for elaborate production design in addition to building intense action sequences and engaging characters.
Anna Kendrick directs and stars in the ridiculous true story of a serial killer who won a date on a TV game show mid-killing spree in “Woman of the Hour.”
The Becomers politely reminds us that being a human is fundamentally weird–– and yes, being a human in 2020 was especially weird.
If “Kraven the Hunter” can balance its identity and its obligations to the superhero genre, this film could find a spot in Marvel’s superhero box set.
Saturday Night is the story of young producer Lorne Michaels trying desperately to keep his new live TV show on the rails, 90 minutes to the premiere.
In “Rebel Ridge,” a young Black marine attempts to rescue his cousin from a corrupt small-town police department.
Ever as before, once “Romulus” gets underway, they encounter Facehuggers, Xenomorphs, and their mission devolves into a fight for survival.
His Three Daughters follows three estranged sisters as they converge in a New York apartment to care for their ailing father.
Writer-director Aviv Rubenstien’s new horror film, “Lizzie Lazarus,” premiered at the 10th annual Popcorn Frights Film Festival in 2024.
Inside Out 2 introduces a bunch of new emotions, but the only one I felt…
“Greedy People” follows two bumbling cops who accidentally murder a rich civilian, finding themselves in the crosshairs of foes that wanted to do so first.
“Young Woman and the Sea” proves it could be a serviceable movie but not strong enough to escape the routine assembly of the genre’s trappings.