2020s
At its best River uses the broad ensemble comedy of Japan in ways that evoke the best ensemble pieces like Noises Off or Christopher Guest’s work.
In DC, where superheroes feel like gods among men, Gunn brings Superman back down to Earth with his superbly humanistic directing style.
From sharp satire to raw emotion and meta-commentary, these three films take wildly different approaches to storytelling in this Sundance Film Festival.
With uninspired performances, bland writing, and half-baked plot twists, Flight Risk found its wings clipped before it ever had a chance to take off.
While quirky and strange are always welcoming qualities, they can also be quite risky. Wilson Kwong reviews Bubble & Squeak and By Design.
Presence is not a good horror movie. Instead, the film succeeds as a melancholy drama.
From Sundance Film Festival, Jules Caldeira takes a look at Brides, Seeds, and Sugar Babies.
Miller’s Girl came and went like stormy weather, causing plenty of noise, drenching the world…
Aside from having a similar word in its titles, the following two films from Sundance…
Though these two films, “Didn’t Die” and “Rains Over Babel,” are very different stories, they are tied together by ideas of mortality.
These two documentaries take place on opposite ends of the Russian-Ukrainian war. Both are powerful, gripping films that must be viewed in today’s climate.
With Sunfish (& Other Stories on Green Lake), we have a Sundance newcomer in Sierra…
In some respects, both Prime Minister and If I Had Legs I’d Kick You are…
Here’s a look at a Spanish-language fable, a crime comedy, dystopian sci-fi, and a Khmer-language story about a dead woman and her Queer grandson.
This year, I’m kicking off Sundance with one of their short film programs. Here are four films from the Short Film Program 2.