2020s
Mickey 17 ripped apart the rule book for a Hollywood sci-fi movie, and its box-office success will hopefully lead to Joon-Ho getting even more runway next time around.
No amount of blood or cool gory effects could save Stream from itself.
Control Freak always goes forward and evolves, keeping you entertained and sitting with you afterwards for a long while.
An Unfinished Film’s creative and sensitive approach to depicting life during the COVID-19 pandemic deserves to be seen.
Bloody Axe Wound’s ideas were there but the writing couldn’t back them up or bring them to a place where we could fully care about anything happening.
The Day The Earth Blew Up is a loving and looney enough romp to be the best Looney Tunes movie ever.
The film may fall short of capturing the epic nature of The Odyssey, but Ralph Fiennes and Juliette Binoche’s powerful performances elevate it beyond its flaws.
The Surfer feels like a natural fit for Nicolas Cage, and what follows is – for better or worse – pretty much exactly what you would assume from him.
Last Breath is a movie that strips away all the Hollywood fluff, but turns in a delightfully-tense docudrama-thriller.
For our final installment of Slamdance, we’re covering a fictional drama about the struggles of Alzheimer’s and a documentary about a New York LGBTQI icon.
Today, we’re looking at two shorts: One about a filmmaker preparing for the progression of his diagnosis, the other about a drummer struggling creatively.
House of Spoils is striking and interesting at first, but by the time the action comes it is too little, too late.
Like a Saturday Morning cartoon drenched in blood, The Monkey throws everything it can at its audiences.
Nosferatu is a cinema masterpiece, an art house piece from an indie director who could do anything he wanted yet he chooses to make high art.
For this installment of Slamdance coverage, we’re looking at an inspiring documentary and a gripping fictional drama based on a true story.