2020
Film Inquiry recently had the chance to speak with director Helena Coan about her loving documentary, Audrey.
High Ground passes every landmark of the proliferating Meat Pie Western but is unable to escape the calculable cliches.
Though not without its flaws, Wonder Woman 1984 proves to be a worthy and striking follow-up to an already great prequel.
I’m Your Woman, the fourth feature film directed by Julia Hart, offers some unique twists on the ‘70s crime thriller.
Despite its many strengths and successes, Education was the only Small Axe film that left me wanting more.
The crystal-clear visual spectacle is on full display, making this 4K Ultra HD Blu-Ray of Tenet comes highly recommended.
As it is, The Stand, has some great direction and acting, even if some of the time management isn’t on point.
While it may seem to soon, 76 Days is a vital documentary that is a testament to those at the frontlines during the lockdown of Wuhan.
The Test & the Art of Thinking is an important documentary, highlighting a particular issue in education that is connected to a larger problem.
Dating Amber takes those uncomfortable moments from adolescence and highlights just how difficult growing up can be.
Penguins: Life on the Edge continues to be remarkable, capturing filmmakers risking life and limb to bring us footage of wonders yet unseen.
For their disability day special, Film Inquiry contributor Diego Andaluz interviewed Run’s director Aneesh Chaganty and co-producer Natalie Qasabian.
For a true story about changing the rules, Safety sticks strictly to the dusty sports drama playbook.
From IDFA Musanna Ahmed gives his first report, detailing thoughts on The Grocer’s Son…, White Noise, Silent Voice, and Bulletproof.
On the surface, Sphere — a 1998 flop directed by Barry Levinson and adapted from Michael Crichton’s hit sci-fi thriller — is perfect for lockdown.