2020
Pieces of A Woman is remarkable – it’s either the final great film of 2020 or the first masterwork of 2021.
The Mystery of the Pink Flamingo embodies the spirit of its subject in wonderfully weird ways that entertain.
By examining these two films, audiences can come to terms with why this struggle against business practices in America has felt so small in past films.
2020 has finally ended and we here at Film Inquiry want to look back at one of the few bright spots it had to offer: the amazing movies.
In the latest Staff Inquiry, our writers look back on the year recalling their favorite TV series of 2020!
The unfortunate thing about Beasts Clawing at Straws is that it tries to force entertainment through shock value instead of investing in the characters.
Castle Freak is an interesting update to a familiar horror film, and manages to add more of the Lovecraftian influence back into the world.
Death to 2020 says a farewell to the year in the best way possible, inviting every viewer to join in the experience and the catharsis.
The Dry has just enough mystery and intrigue lingering at every begrimed frame to keep the audiences invested.
Alex Lines had the chance to talk with director Dante Lam about his latest film The Rescue.
The Midnight Sky is another example of something that could’ve been a complex and emotionally affecting work of science-fiction, but quickly collapses.
The Ripper, the eponymous killer, and the series expose the misogyny with aplomb at every step and moreover, it is persistently captivating.
Lacking excitement, humor or focus, unfortunately, Sister of the Groom is a wedding only fit for 2020.
Enfant Terrible, Oskar Roehler’s filmic biography of Rainer Werner Fassbinder, intertwines this political manifesto with its subject’s personal life.
Kirsten Johnson’s film is a wonderful testament to both her aging father and the importance of treasuring the people we love most in life.