2020
What Love Looks Like brings very little to the table in terms of originality or likeability. You’ve seen it all before, done better, and in more captivating ways and with better acting.
The Rhythm Section has some enjoyable elements, but in the end, this mostly formulaic flick isn’t the female-driven spy thriller we’ve been looking for.
A lightweight premise with heavyweight emotions, Shoot to Marry lets you ride shotgun on a highly entertaining journey of modern romance.
Birds of Prey is a colorful ball of chaos. Is it a cinematic masterpiece? Far from it. But it’s an absolute blast, and that’s all it needs to be.
Gretel & Hansel is conceptually a clever spin on a story we all know, but when that spin fails at generating scares or digging up much in the way of completely novel insight, it’s hard to know what to get out of the experience.
On paper this movie may sound like a delicious recipe for some good old fashioned fun, but Richard Stanley’s Color Out of Space ultimately ends up stuck in a losing battle.
Despite some stumbles and clumsy writing, the first season of AJ and the Queen is a heartwarming, heartbreaking delight that lets you ride out every emotion.
The Assistant is a gripping film masterfully directed by Kitty Green and featuring one of Julia Garner’s best performances to date.
With Never Rarely Sometimes Always, Eliza Hittman has crafted an important piece of cinema, which demands a lot from its audience, but also has an enormous amount to give back.
Waiting for Anya is so beautifully put together and so emotionally executed that it hits you like a gust on a windy day.
The Killing of Two Lovers ineptly attempts to depict a man navigating the various extremes of modern manhood.
As recording events has become easier and more integrated in our fast-paced high-tech society, Births, Deaths and Marriages celebrates those who recorded those past memories that we absolutely cherish today.
The last few years have come with a slew of fantastic horror films, and unfortunately The Turning does not fall into that category.
Nine Days is Brazilian director Edson Oda’s feature debut, and he is off to an amazing start with this beautiful, meditative film.
Miss Americana is socially responsible filmmaking at its finest, which is certainly a pleasant surprise.