2020
Drunk Bus is edgy and heartwarming, bringing powerful performances and an even stronger message to this coming-of-age film.
Continuing to earn remarkable access and focus on taboo topics, in The Accused: Damned or Devoted? Naqvi turns his lens to Pakistan’s blasphemy law.
Through her creative direction, Nanette Burstein is able to tell Hillary Clinton’s story, the story of an insane campaign, and the story of women in politics.
Fire Will Come has the market cornered on the artistry, but for all its technical skill, it comes up short, both in length and in content.
“A Ladder to the Stars” is, at its heart, a simple story, the same hero’s journey all of us have experienced a thousand times over.
In order to fully enjoy Olympic Dreams, one needs to see it as an experiment.
The Desire of Dilemma is an eye-opening and a vital informational showcase on female sexuality for everyone, today, yesterday and tomorrow.
Crip Camp is a beautiful, wonderfully entertaining and insightful history lesson on civil rights for the disabled in America.
The Boy Who Sold the World is a captivating documentary looking into the world behind the technology of apps, and the minds of the youth who are set on changing the world.
Episode 4 of Devs is a season high so far, bringing forth major plot points and leaving many of our characters in uncertain positions.
Burden’s misfires are too numerous to hit on any sort of reality, making it a frothy and less than ambitious piece of entertainment.
Spenser Confidential feels generic, tonally confused, and most importantly, the product of a workmanlike filmmaker clearly out of his element.
Coded Bias makes its primary focus on a the bias of facial recognition and the abuse that technology poses both currently and in the future.
The Hunt is a textbook example of trying to force a story into a concept, rather than giving the story its due.
The Carnivores is an effective psychological foray that may be divisive among some, but is worth biting into, to really appreciate the talent within.