2020
In its entirety, Mogul Mowgli is a cinematic experience that will resonate with the heart and enlighten the mind.
In The Hidden Life Of Trees, conservationist Peter Wohlleben is a modern-day Lorax as he educates and speaks for the trees.
Written and directed by Edson Oda in his directorial debut, Nine Days is as thoughtful as it is beautiful, as heartbreaking as it is jovial.
The Boy Behind the Door boasts some incredible shots, framing marrying with its lighting, crafting intrigue, and lasting impressions.
Based on performances alone, it is a memorable coming-of-age tale, and it is a step in the right direction when it comes to destigmatizing mental illness.
Based on Hannelore Cayre’s novel, Jean-Paul Salomé’s La Daronne – Mama Weed in the U.S. – is a dark comedy about a translator-turned-queenpin.
It’s far from perfect but Zola delivers strong performances, visual language and sound design to make something unique and alluring.
Identifying Features takes time to get going but successfully wagers the audience’s patience with a terrifying finale that lingers long after the credits.
In Lance Oppenheim’s playful and otherworldly documentary, we get a peculiar glimpse of the lives of people seeking to escape into something utopian.
In the documentary, The Sound of Identity, Lucia Lucas is the first transgender woman to headline a major opera production
Led by stellar voice-acting and an endless amount of charm and youthful spirit, Luca is Pixar’s simplest movie to date, but it’s simple done right.
Film Inquiry sat down with director Dana Ziyasheva to discuss her new film, Greatland, and making a film in a post-pandemic world.
In Demon Slayer: Mugen Train, can Tanjiro & Co. find the the demon responsible for strange disappearances on the Mugen train?