2020
Cornel Ozies’ prescient and perceptive documentary Our Law is having its world premiere at the digital edition of this year’s Sydney Film Festival.
Unlikely to convert any new fans to the series and even less likely to please old ones, Artemis Fowl is a passionless adaptation.
Musanna Ahmed spoke with director Steve Markle about his film Shoot to Marry and why this documentary was more challenging to put together than his previous one.
The absence of parental guidance through the strategic use of antithesis allows Extracurricular to hold its characters accountable for their mistakes.
Dear… gives viewers a visual and auditory display of the power instilled in others when they know they are not alone.
The King of Staten Island is, like all Apatow films, overlong and unfocused. But at the heart lies a surprisingly effective character study
It’s difficult to manage a ménage à trois- the married couple at the center of First Blush, figure this out the hard way in this film available this weekend from NFMLA.
While not shooting very high, The High Note is light, charming, and filled with all around winning performances.
Stephanie Archer continues her coverage of the online Tribeca 2020 Film Festival by taking a look at some more narrative short films.
Becky is an entertaining thrill ride but runs into trouble with its weak script and mediocre direction.
While it doesn’t boast any earth-shattering revelations, there is still so much that’s worthwhile about Laurel Canyon.
Full of innovation and imagination, The Vast of Night plays to the corners of the human mind that dare to dream and recoil from what we fear.
Mrs. America is an extraordinary limited series. It’s wicked, empowering, and, at times, frustrating. Just like a life of almost every woman I know.
The Tell Tale Heart is a punky, blood-spattered thrill ride from McClain Lindquist, whose debut short film brings something quite new to Poe’s story.