2020
We spoke with Sheila Vand about starring in Dave Franco’s directorial debut The Rental, actors turning directors, and lots more!
We spoke with director Zetna Fuentes about Netflix’s latest series Cursed, the retelling of a classic legend through the female perspective.
Colour Me Brown is a personal, self-reflective conversation on one’s race and the associated complications of being different.
Impetigore is a film of slowly unfolding horror, with every aspect designed to fill you with dread and sorrow.
Despite great moments of tension and a solid Joseph Gordon-Levitt performance, 7500 is a film of unfulfilled potential.
We’ve seen a direct correlation between the use of cell phones and increased awareness of and civic response to police brutality against Black people.
Based on Bong Joon-Ho’s masterful film, the TV adaptation of Snowpiercer starts slow but builds to a fascinating finale.
Good Trouble is bursting with inspiration powerful and essential, strong enough to be more than just a flowery portrait.
Father Soldier Son offers you the opportunity to see why people join the Army rather than padding the film with patriotism or criticism.
Hulu’s Normal People doesn’t just transform sorrow into an affecting narrative; it creates beauty out of it.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.
Irresistible seems too afraid of being part of the noise to pull those kinds of punches, and that costs the film some urgency.
Showbiz Kids is a fascinating look at the life of child actors and offers unusual insight into the world of acting.
Spy Intervention doesn’t give much in terms of laughs, but a few moments, give life to an otherwise dull film.
Combined with Cianfrance’s ‘addiction’ to this story and the intimacy of the acting, I Know This Much Is True creates a palatable amount of realism.