2020
Deniz Tortum’s third feature documentary, Phases of Matter, follows the doctors and nurses of the hospital where the director was born.
Topside makes its points enough beforehand to deliver a disorienting and visually challenging portrayal of abandonment and desperation in New York City.
Stringing together multiple sources and influences, it is a spellbinding dance between Kashmir’s folkloric past and its tumultuous present.
Shot in stark, high-contrast black and white, Fear is a no-frills film that relies on the strength of its script and central performances.
Allow yourself to be transported by the sights and sounds of The Shepherdess and the Seven Songs and be rewarded with a powerful cinematic experience.
An elegy not just for the human race but for the great artist that brought it to the screen, Last and First Men is a striking meditation on mortality.
Daryl MacDonald spoke with director Aneil Karia about his film The Long Goodbye, the Oscars, to his latest film Surge, and more!
What we get feels like a mixture of both fact and dramatization, which while ceaselessly fascinating, feels slightly unsatisfying.
An old monk recieves news of his aunt passing away, causing him to reflect on his life and his beliefs in Manav Kaul’s Tathagat.
Denis Villeneuve brings Frank Herbert’s Dune – the best-selling science fiction novel of all time – to the silver screen.
Nadia, Butterfly showcases a humanism that hits at the quiet and unsensational moments of an athlete’s life and career coming to a halt.
Reporting back from MIFF 2021, Sean Fallon reviews Come Back Anytime, Set!, Stray, Ablaze and The Witches of the Orient!
Rough around the edges, yet an extremely engrossing character study, Danny. Legend. God. acts as a relevant cautionary tale of an unchecked ego.
The Last Matinee is a blood-soaked and nostalgic journey into a bygone era of movie theaters and their unique beauty.
The Night House is a kaleidoscope of creaks and whispers, playing with anticipation and stretching it as far as it can go.