2020
Stephanie Archer had the opportunity to participate in a round table with director Jon Stevenson and cast members Wil Wheaton and Brian Landis Folkins about Rent-A-Pal.
There is a rare nature and rough surface to Holler that will resonate with audiences through the need for survival, perseverance and opportunity.
While it may not land as smoothly as it hopes for, what #Alive offers here is still refreshing, warranting the attention of its audience.
Film Inquiry chatted with Dinner in America’s director Adam Rehmeier about Mac Demarco, a good mixtape, and finding the right lead actors.
In our latest report from the Sheffield Doc/Fest 2020, Musanna Ahmed looks at Please Hold the Line and The Viewing Booth.
William Hopson create the perfect double feature with Hamilton and Amadeus through the shared focus of their antagonized protagonists.
Stephanie Archer had the opportunity to speak with the Francesco Giannini about his film The Hall.
Slim & I, one of the rare Australian features to sneak back into cinemas post-quarantine, delivers the history of Dusty Slim with a little cunning twist.
Rent-A-Pal succeeds in recreating its 90s aesthetic as it examines the videotape dating culture of the 1990s in this retro horror film.
As one of two films representing Iran in the 77th Venice Film Festival, Ahmad Bahrami’s The Wasteland wrestles with themes of class and race.
It’s a loyal, brave, and true re-telling of a Chinese ballad that was once successfully Westernized.
Opening the historic 77th edition of the Venice Film Festival, Andrea Segre’s Molecole is a haunting meditation on virus-lockdown Venice.
The Social Dilemma is a deeply compelling treatise on why we’re so addicted to our devices while arguing the crucial need for change.
Wilson Kwong spoke with McConnell during the 2020 Fantasia Film Festival, where he was just as honest and transparent as he was in his remarkable film.
Heightened by its mirroring of current events, The Hall is an incredibly exhilarating ride you won’t want to get off of.