2020
Limbo is nothing short of sublime, a triumphant feat of storytelling as striking in its visuals as it is in its writing.
A perfectly timed film that corresponds intimately to the social issues we are living through, One Night In Miami is one to watch.
Wilson Kwong spoke with Madeleine Sims-Fewer and Dusty Mancinelli about their creative process in bringing such an important story to the big screen.
The COVID-19 documentary 76 Days is urgent and wrenching, unbashful in its presentation of tragedy and confusion.
The Devil All The Time balances each story, giving it is time to flourish and each character’s contribution to the others to be fully realized.
Concrete Cowboy is a heartfelt reclamation and tribute to a long lineage of Black frontiersman that’s largely been swept under the rug.
I Care a Lot subjects its audience to the devils whose company is never entreated, but whose dastardly dispositions are never without flair.
Chloe Zhao’s Nomadland surpasses the wildest expectations to become the first true all-around festival standout of the year.
For TIFF 2020, Stephanie Archer had the opportunity to interview director Nicole Riegel & actress Jessica Barden about their new film, Holler.
Charles Officer’s film Akilla’s Escape is an engaging and hypnotic look at a young man’s attempt to break away from a violent lifestyle.
Genuinely funny and made with a real passion for its heroes, Bill & Ted Face the Music is a most excellent addition to the franchise.
Michael Frank had the chance to chat with Amelia Moses about her latest film Bleed with Me, its beginnings, the disturbing imagery and more!
We Are Who We Are thankfully delivers on what it promises in an immersive coming of age drama from one of the greatest filmmakers of our generation.
Brutal in its subtlety, Língua Franca is a harrowing portrait of not only Trump’s America but also Duterte’s Philippines.
Apples is a gritty, subversive take on identity, memory and grief and an outstanding first feature from Greek director Christos Nikou.