2020
Though dauntingly ambitious on paper, Unpregnant grounds itself in sincerity and provides laughs in spades while remaining genuine and respectful.
Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.
What Pen15 has done is pave the way for more nuanced Asian or Asian-American-centered stories to be normalized onscreen.
Pieces of a is nevertheless chock-full of indelible moments; ones that help you ride out its harsher sequences with earnest warmth and genuine care.
Deep down, what Possessor offers isn’t just violence and shock value, but has real ideas about identity and capitalism.
In spite of its cutesy title, Herb Alpert Is… does attempt to flesh out the multi-faceted extent of his talents: then and now.
This year’s New York Film Festival started out with a bang, showcasing a whole slate of movies that really experimented with form.
As a lighthearted take on the end of the world, Save Yourselves! is an enjoyable distraction.
Scare Me is thrilling, chilling, and absolutely delightful, evoking perfectly that feeling of sharing ghost stories among friends.
Maria Lattila chatted to director Darren Lynn Bousman about his new film Death of Me as well as the upcoming Spiral: From The Book of Saw
Night of the Kings explores how rituals, traditions, and stories can give people reasons to live even in the darkest times.
While City Hall has it’s ups and downs, it gives viewers a unique experience and perspective into the inter workings of Boston’s city officials.
Darren Lynn Bousman’s Death Of Me is fascinating and terrifying but occasionally stumbles into problematic territory.
Director Matthew Heineman takes somewhat of a left turn to document the homecoming of Colombia’s biggest reggae superstar, J Balvín.
The beautiful boldness of The Human Voice makes it clear that Pedro Almodóvar and Tilda Swinton are a match made in film lover’s heaven.