2020
Reflecting on the festival’s conclusion, we want to shine a light on some hidden gems that deserve to be on the independent film lover’s radar.
Chick Fight never takes advantage of the premise it was trying to flesh out, and loses any feminist credibility it could have had.
Cindy Sibilsky interviews actress Juliet Landau for A Place Among the Dead, her feature film directorial debut.
André Øvredal’s Mortal is a mature and sober take on the superhero origin story, favoring emotional conflict over physical conflict.
Peter Murimi And Toni Kamau spoke with Film Inquiry about how they made the film and their hopes for the impact it can have.
Borat 2 sheds portions of the subtlety seen in the first film in a necessary plea to fully understand the harm of our current administration.
Reyzando Nawara had the opportunity to speak with Cooper Raiff about his movie Shithouse, the painful yet realistic part of the college experience, and more!
In his first report from the 2020 San Diego Asian Film Festival, Soham Gadre reports on the films he had the chance to see!
With two perfectly cast roles in Colin Firth and Stanley Tucci, Supernova lovingly ponders on the preciousness of memory and time.
While it’s visually handsome, with performances from the two leads that are equally staggering, the show fails to accomplish what it wants to do.
Kindred features impressive performances from all actors, but the script lacks action.
With both leads shining bright, Cicada is altered, and elevated, by an undercurrent of trauma that haunts its central pair.
Rebecca is not a bad or dull film, but it squanders the immense potential for something vital and thrilling in du Maurier’s tale.
Mainstream hardly qualifies as a satisfactory, much less intelligent response to the media-saturated simulacra it lounges very comfortably within.
Vinterberg’s film goes to higher highs and lower lows than expected, proving both heart-achingly sad and outrageously joyous.