2020
Ammonite is a cold, distant viewing that rewards the viewer in sporadic intervals, confident that it will find the right audience.
Daryl MacDonald spoke with director Zeina Durra about her film Luxor, the city of Luxor itself to spirituality, dreams, accents, and more!
Luxor will reward that patience with a lovely, unsentimental look at life, which is well worth the price of admission.
Happiest Season is a holiday film that transcends a one size fits all, welcoming everyone home for the holidays.
If you’re going to watch this one, you might as well marathon the series with some buddies online while imbibing the adult beverage of your choice.
Honest with its subject matter, Uncle Frank is a very conventional drama where something topical in the 1970s is still relevant today.
Exile requires a certain level of investment to procure the fruits of the third act, but will certainly leave you introspecting your life.
In Dreamland, Margot Robbie is perfectly cast as a complex woman whose outlaw glamour belies her inner darkness.
Upon the release of David Freyne’s coming-of-age hit currently taking the world by storm, Film Inquiry’s Marc Ricov spoke with the Belfast-born actress.
The Climb is an exciting and robust debut from Michael Angelo Covino.
Dinesh D’Souza, a celebrated far-right political commentator, author and documentary filmmaker, has dizzying propaganda films that bleed misinformation.
Let Him Go is both a period piece — though set in the 1950s, not the Old West — and also a tale pregnant with grief.
Director Jacqui Morris tries to escape the staleness of adaptating of A Christmas Carol by presenting the story as a modern dance dreamscape.
Angelique Sabrina White and Jack Shulruff both spoke exclusively with Film Inquiry’s Jim Dixon about their latest film Roommate Wanted.