2020
For Monro’s Kubrick on Kubrick, decoding Kubrick’s films with the director’s own words serves as an excellent chance to write his own artful tale
If you can remove expectations, Children of the Corn may be an enjoyable watch. But, the source material deserved better.
An imperfect yet still intriguing debut feature, Old Town Girls signals Shen Yu as a director to watch.
The Silencing is an American thriller film from 2020 from Belgian director Robin Pront and starring Nikolaj Coster-Waldau.
In this report, Kristy Strouse covers The Happiest Man in the World, Women Talking & Return to Seoul!
House of Hammer’s project is to re-centralize the voices of the women who were harmed not only by him but by multiple generations of the Hammer family.
Andrew Dominik’s two documentary productions with musician Nick Cave function more as hypnotic trance of visual, incandescent composition.
In exploring how memory and creation are irrevocably entwined, Le Temps Perdu is an ideal tribute to Proust’s masterpiece and the readers who love it.
The worlds of animation and live-action collide in the eclectic tapestries of Chloé Mazlo’s Skies of Lebanon.
Rondo and Bob has moments of heart, but these moments are lost amid a sea of re-enactments that never quite land.
The coming-of-age tale presented by Cocoon is not an idealized one that bears no resemblance to real life, but one that feels authentic in its pain and exhilaration.
Despite its humorous undertones, Christos Nikou’s Apples can’t overcome a frustratingly muted and opaque style.
Charming and sympathetic portrayals by Alséni Bathily and Lyna Khoudri make Gagarine feel warmly satisfying and make it a peculiar French indie.
Since I Been Down proves that sometimes real change can come from within and the resources we are given to work with.