2019
The kind of film that could only come from the mind of Werner Herzog, Family Romance, LLC is absolutely fascinating.
Fisherman’s Friends eagerly invites its audience in and provides a worthwhile and heartwarming story that will have you humming along.
Every moment of Homewrecker, crazy or scary or just plain weird, is played with a lightness that makes it a joy to watch.
An over the top, aimless blunder of foolery, Dreamland is remarkably disastrous yet instantly forgetful.
Retrocausality has a lot of pieces that could make both an interesting and philosophical character study but it is not executed well.
Having done everything from gangster films to gothic horror, Ferrara and Dafoe have captivated audiences with their deeper, arthouse works.
Liberté is sexual, it’s arousing in respects, it’s taboo in many instances, but overall, it is grotesque and repulsive.
I’m No Longer Here allows the heart to overpower technique, and resulting in a heart-warming tale of cultural identity and the lack of it.
Lee Jutton spoke with Agnieszka Holland about her film Mr. Jones, the most surprising thing she learned while making the film, and the role of journalism in keeping democracy alive today.
Mr. Jones highlights the need for investigative journalism even in a world where hard evidence can be met with accusations of untruth.
Ariane Labed’s Olla tells an important tale of the migration of resourceful, young, Eastern European women into Western Europe.
Cinema is an incredible and invaluable tool for education, and we need it now more than ever.
Despite the awkward execution, pacing, and acting, Turnover wonderfully underlines real friendship and the perseverance of the human spirit.
The idea seemed like the perfect match up. Unfortunately, Tommaso does not live up to the expectation.
NewFilmmakers Los Angeles brings its NFMLA Monthly Film Festival online June 5 to 7. We cover 5 more of the short films in the Asian Cinema program.