2019
This year’s New York Film Festival started out with a bang, showcasing a whole slate of movies that really experimented with form.
The Goldfinch is not a secret masterpiece, but it is good, beautiful even, and is worthy of revisiting and re-evaluation.
Three new women-centric streaming releases examine the ways in which systemic injustice affects women.
Repossession bites off more than it can chew, but it’s a scrappy film nonetheless that provides enough thrills to satisfy a horror fanatic.
For the stunning animation alone, it is worth watching, but don’t be surprised if you find yourself drowning in the film’s strange, surreal story.
From the Sarajevo Film Festival, Monique Vigneault spoke with director Martin Turk about his film Don’t Forget to Breath.
Frances Maurer spoke with Chyna Robinson, fresh out of her festival circuit, about her latest film No Ordinary Love.
Matthias & Maxime, Xavier Dolan’s most open and tender film to date, sees him reclaiming his wunderkind status as a director once again.
In our latest report from the Sheffield Doc/Fest 2020, Musanna Ahmed looks at Please Hold the Line and The Viewing Booth.
While the energy soars, I Am Woman is certainly neither the greatest musical biopic nor the most intriguing account of a musician.
A very human story everyone can relate to, Nail in the Coffin is a strong, documentary with a very big heart and a very bloody mouth.
The Mandalorian delivered audiences and filmmakers a visual effects breakthrough. And because of it, visual effects are likely changing forever.
Entwined, from director Minos Nikolakakis, succeeds in its story, a slow burn that is hypnotizing, peeking the interest of its viewers.
Overall, Blood Vessel isn’t going to change horror forever, but it is entertaining, especially the first hour.
A Night of Horror: Nightmare Radio is a horror anthology curated by Nicolás Onetti and Luciano Onetti. The film consists of horror shorts made between 2012 and 2017.