2019
With a strikingly effective energy of both heart and strident bitterness, Cat Sticks like the disease of addiction itself is conveyed in a wise and endearing manner.
Fighting With My Family is a lovely little British gem and while it’s not perfect, Merchant shows admirable potential as a director.
1 Billion Orgasms feels like the behind-the-scenes footage that is supposed to accompany the feature presentation.
Isn’t It Romantic is not a game-changer in the romantic comedy sub-genre, but it’s a proud statement by Wilson that everyone should get behind.
Holiday will linger with you long after the credits roll, forcing you to acknowledge the ways in which you are complicit with the behavior of its characters.
Like Ocean’s Eight before it, What Men Want is proof that it takes more than genderswapping to make something old new again.
Some may preemptively dismiss Gully Boy as a rip-off of 8 Mile but there’s far more here than just another underdog hip-hop story.
The Umbrella Academy is an exciting and free-spirited edition to Netflix’s catalog of binge-able TV series.
The Amityville Murders is a film that should be avoided at all costs. It doesn’t succeed as a horror film, nor as a supernatural thriller.
By not taking itself too seriously, DC’s Doom Patrol creates a whimsical world of super-heroics that is both fun to watch and easily digestible.
If you looked past the gaping plot holes and equally detestable jump-scares, there is a scare or two to be had in The Prodigy.
Happy Death Day 2U is like watching a million ideas hit the screen at the same time, progressively moving itself to shakier ground before losing any sense of narrative necessity.
Many will enjoy watching Gina Rodriguez in a silky red dress armed with an AR-15 – she hits what she is aiming at, but Miss Bala misses its mark.
If you’re searching for a romantic comedy that focuses more on the muddy journey versus a mirage of perfection, Untogether might be the one for you.