2019
From theme to visuals, Riverdale’s “Big Fun” brought every bit of energy and intensity right up to the final curtain call.
Dumbo is exhausted and erroneous, less concerned with a magical setting and more concerned with a macabre art-deco style.
Despite the large questions it establishes at the onset, I’m Not Here offers no answers or satisfying catharsis.
Yes, God, Yes is a film you’d want to hug, where its authentic nature, lovable lead, and gentle director can win over anybody.
The Brink is a well-constructed documentary that offers a lucid view of how the Breitbart founder thinks and operates.
With a premise filled with potential and talent both in front of and behind the screen, Captive State is an unfortunate disappointment.
Good Boys is not for everyone, for it is messy and repetitive in what it’s doing, but it is also exceptionally funny, charming, and thoughtful.
Though with a generic plot, Triple Threat is a slick, entertaining feature that works best as a showcase for the talents of its three leads.
A Madea Family Funeral is a message we need to hear, but sadly, the Hallelujah’s don’t come until the credits.
SXSW 2019 featured some excellent horror films, like Us and Little Monsters, but also lesser ones like Tales from the Lodge and Tone-Deaf.
While Gloria Bell might be almost a carbon copy of 2013’s Gloria, the film demonstrates how much Sebastián Lelio has evolved as a director over the past six years.
American Dreams and crossroads shape the path ahead for our characters on Riverdale, setting up a potentially satisfying season finale and upcoming seaon four.
Be it a gripping thriller or a moving and thought-provoking social commentary, when it comes to documentaries the Glasgow Film Festival has you covered.
The film’s attempts at multiple genres may not blend together, but the talented cast and direction by Chandor help raise it above its flaws.