2019
Stockholm is successful in doing the impossible – making the viewer understand and even empathize with the interpersonal connection between a hostage and her captor, and vice versa.
A promising start quickly descends into troubling formula in The Best of Enemies, wasting two excellent lead performances and a potentially interesting story.
Shazam! is a walk-off grand slam in extra innings, feeling like a statement from a studio and director working so hard to finally get it all right.
Flay boasts an intriguing and unique horror concept, but is let down by a lack of depth to its characterisation.
Film Inquiry’s Musanna Ahmed looks at the biggest Bollywood releases of March 2019 in his first Bollywood Inquiry column.
Hearts of Glass is a wonderful documentary that focuses both on food production and people with disabilities, housed within a tiny slice of America.
Wonder Park should be fine family viewing, but it is lacking in terms of storytelling and the world building design.
If you look past The Highwaymen’s initial slow burn, you’ll at least find solace in its performances and devestating ending.
Finding Steve McQueen is an unfortunately dull heist film, bogged down by unnecessary subplots and a lack of overall energy.
The Mustang is hard to look away from and worthy of praise. It’s a gorgeous look at a man who finds the best version of himself in his relationship with a wild horse.
The teen melodrama may still be alive, but Five Feet Apart, the latest tragic YA romance, proves that it’s far from thriving.
Transit cements Christian Petzold’s status as a modern storytelling master. A film of surreal, sad beauty, it should not be missed.
Pet Sematary, in this critic’s opinion, is a constant battle between excessive production and exceptional performances.
Slut in a Good Way is an unapologetic celebration of first love, first heartbreak, and everything else that comes with being a teenage girl.
The first episode of What We Do In The Shadows is a macabre romp that remarkably adds and expounds upon the comedic elements of its filmic progenitor.