2019
An earnest and perceptive drama that deals with homelessness and mental illness in ways that inform and engage, Princess of the Row is a must-see indie.
It is an innovative piece of work; it starts off intense and visceral until it takes a turn and becomes a tender, compassionate exploration of acceptance.
The Twentieth Century proves that contemporary cinema still has an appetite for sweeping portions of unparalleled imagination and humor.
We spoke to the director about the critical success of Collective following his press run at the 2020 Double Exposure Investigative Film Festival.
While Swans – Where Does A Body End? will be streaming on Amazon Prime, this a movie that should be played as loud as possible.
Beyond the Horizon is almost a traditional coming-of-age story that operates in accordance with the rules of the genre, but set apart by its twist.
Despite this film’s boundless originality, one is left with more of a sense of respect for what was attempted than of enjoyment of what resulted.
In his first report from the 2020 San Diego Asian Film Festival, Soham Gadre reports on the films he had the chance to see!
In the face of hate, Gay Chorus Deep South is a shining beacon of love and an exemplary display of resilience and strength.
Rose Plays Julie archaeologically digs through human suffering, one fragment at a time, bringing its characters’ traumas out to see the light.
The ghosts and ghouls are fun, but this is ultimately supposed to be an allegory for Taiwanese oppression, and on those grounds, Detention fails.
The Devil Has a Name is worth watching for its message and for the strength of its three leading protagonists.
In this Away From the Hype, Sean Fallon takes a look back at last year’s Cats.
Eternal Beauty is nonetheless an enjoyable film with admirable intentions, elevated by the sensitive work of Hawkins and her supporting cast.
As Haroula Rose’s feature-length directorial debut, Once Upon A River shows us, you do what you can.