2019
The Farewell reveals Lulu Wang is a director to watch out for, but loses impact by leaving so many of the themes it wishes to explore unspoken.
The Perfection is a twisty thriller, with plenty of gore but does it make up for the absurd plot? Josh Martin reviews.
The final episode in what has become the highest rated TV show ever recorded on…
Diego Maradona is another triumph for Asif Kapadia, offering something richer than the standard sports documentary.
With such an interesting true story to draw from, it’s a real shame that The Child Remains is so underwhelming.
Late Night is a funny and witty film, that boasts a stellar cast, brilliant performances and and even better writing.
Stop motion animation has gleefully seen a resurgence in recent years with films the likes…
Despite the mediocrity in storytelling, with the rapport of the leads, it’s hard not to cheer for Always Be My Maybe.
Yes, it’s a dark crime drama – but The Gangster, The Cop, The Devil is more mainstream friendly than most South Korean thrillers.
The Last Black Man In San Francisco is a deeply moving film, and probably the best film with San Francisco as its backdrop.
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.
While director Xavier Dolan and the film’s characters say goodbye to their twenties, Matthias et Maxime itself leaves much to be desired.
At its heart, The Russian Five is a sports story, but you don’t have to be a hockey fan to appreciate its impact.
Dark Suns is utterly vital and haunting, chronicling a staggering history of crime and injustice that needs urgent attention from any higher-up with a conscience.
Creator Victor Fresco’s Santa Clarita Diet still remains intoxicatingly glutinous and ever so delightful with its gimmicky prowess.