2019
Fuck You All: The Uwe Boll Story is a film that is as direct as its title, and is an interesting insight into what makes a man like Uwe Bill tick.
While it may stumble under the weight of its own plot, Recovery is flawed, but it’s fun with moments that are really worth checking out.
Murder Mystery is a generic comedy from Adam Sandler, but thankfully never up there with the actor’s worst efforts. Mark MacPherson reviews.
Toy Story 4 is the finest of the Toy Story sequels, and if it’s the start of a second trilogy, then we’ll follow it to infinity and beyond.
With poor dialogue and a failed execution, Hallowed Ground is a massive disappointment and just might be one of the worst films of 2019.
Episode 6 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Men In Black: International doesn’t work like it should, but Kumail Nanjiani is a standout in this mediocre entry to the franchise. Alex Arabian reviews.
Wade in the Water is raw, supplying dialogue that’s probably too forthright for Hollywood, but it also pulls off something inventive and darkly funny.
Frivolous in treatment and a trailer more impactful than the film itself, Loners never understands its true potential.
When They See Us may be Ava DuVernay’s finest work, telling a deeply human story about the way people of color have been and continue to be seen.
Directed by Deon Taylor, The Intruder treads into territory that is unfathomable for most of us and may not be the kind of place you want to stay in.
With audiences expectations through the roof, Dark Phoenix’s climatic conclusion is a forgettable blockbuster.
The Souvenir is a refreshingly honest look at first love, class and privilege and includes a great performance by Honor Swinton Byrne. Janet Lee reviews.