2019
Pavarotti is at times hard to watch, but ever so entertaining and explosive exploring one of the most captivating and astonishing artists of the 20th century.
Despite some design flaws, Astronaut sticks its landing enjoyably enough thanks to the command of Dreyfuss and a novel angle of attack.
While it’s set up with a poignant perspectives, Cubby fails to provide an introspective look into loss and growth.
Ruth Caudeli’s Second Star on the Right winningly captures our varying levels of maturation and individualism, with beauty and style.
Lacking a statement about the artist-muse relationship, Nick Broomfield’s Marianne & Leonard: Words of Love fails to live up to the promise of its title.
While it’s not the best made documentary of the year, The Great Hack is the most important documentary you’ll watch all year.
Rather than looking skyward, Armstrong awkwardly looks at its feet, the film eclipsed by other efforts both fictional and factual.
Eaten By Lions will fill the void with laughs and wacky characters worth rooting for, and it just so happens to be a wonderful tale of brotherly love and multiculturalism.
For those looking for a film that both acts as a tribute to its roots while never straying from the course it’s set off on, see The Lion King with an open mind.
Frankenstein’s Monster’s Monster, Frankenstein is a wonderfully absurd, surreal comedy, satirically captures the story of Frankenstein, and the confusion which comes with it.
While The Farewell brings the identity crisis that many immigrant families face to the big screen, it also is a true-to-life reflection of family dynamics that everyone can relate to.
While some viewers could argue this Point Blank remake as passable entertainment, even at 80 minutes, your time is best spent elsewhere.
Stuber isn’t a life changing film, but it’s a worthy addition to the buddy-cop comedy pantheon.
Euphoria has something important to say and has good ideas in its grasp but can never look them in the eye.