2019
Blinded by the Light is a fabulous ode to the power of music, and how our favourite artists come to define our lives.
Upheld by two zestful leads, and polished production design, Lying and Stealing is almost the real thing, but oversells its value.
Despite the dwindling ending, Sword of Trust still manages please us with delightful and memorable performances from a talented cast.
Overlong, overblown, and painfully unfunny at times, Hobbs & Shaw is a misguided endeavor that struggles to offer a sense of fun.
Palm Beach lacks a sense of purpose – that despite it brimming with a number of winning personalities, its just a shame that the film they’re in lacks one itself.
Luce is a fascinating and thrilling study of gender, race and identity with compelling performances from the cast. Brent Goldman reviews.
The Art Of Self-Defense is a dark, sharp and poignant take on the current gender roles and expectations in society.
The Boys is a bizarre mishmash that leads to some mishandling of sensitive material and a strange tonal dissonance throughout.
Horrible Histories: The Movie – Rotten Romans delivers decent gags and a solid history wrapped up in a lightweight but semi-satisfying story.
Bottom of the 9th may be plagued with a slow moving plot, it does have the characteristics of what makes a compelling sports drama.
Surviving Confession is very much a lively indie taking place in a lifelessly cramped setting, while bluntly speaking some commendable verities of being human.
The Current War admirably attempts to be something bigger than it ultimately is, with its A-list cast and interesting-but-misfiring style.
Love, Antosha competently tells the utterly heartbreaking story of Anton Yelchin, the very intelligent and talented actor whose life was cut short.
Ashley Joiner’s documentary Are You Proud is a gateway into the history of LGBTQ+ rights, rather than a comprehensive study, which is understandable due to the format.