2019
Cuck is a tone-deaf and brain dead character study where any and all insight is shredded and tossed out to make way for Z-grade exploitation.
Stay home and watch the original Rambo films instead. Rambo: Last Blood was not needed.
Temptingly measuring suspense and psychological anguish, A Dark Foe doesn’t always fulfill its thematic potential, but the effort ensnares you in its grip.
While it’s true that film as a medium is intrinsically subjective, it seems pretty clear amongst viewers with knowledge of film that Parasite will go down as a classic.
The Village in the Woods is a deviant slow burn with just enough horror to satisfy you this Halloween, even if it gets a bit muddled along the way.
Stephanie Archer reports from New York Film Festival with reviews of French films Zombi Child and Oh Mercy!
If you are looking for a new series to binge over and over again, John Green’s Looking for Alaska TV series might be for you!
Ryan Murphy’s first Netflix venture is a vapid political satire almost entirely void of humour and heart.
Comprised as it is primarily of archival footage and talking heads collectively geeking out, it could be easy to find Memory: The Origins of Alien overly dry.
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese is more so curated than directed by the cinematic icon whose name is in the title.
Ad Astra is not without its flaws, but Gray’s science-fiction endeavor is ultimately one of the best films of the year.
In the Shadow of the Moon joins the ranks of Equilibrium and the most recent Planet of the Apes trilogy as a politically motivated film disguised as a popcorn flick.
With Renée Zellweger giving a career best performance, Judy is a simple but moving film, celebrating an icon.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Random Acts of Violence forces the audience to confront their own enjoyment at watching others’ pain